My writing
- ‘Time, After Time; or how to work with history’, article, Index Journal no.5 Liquid Time, edited by Verónica Tello, 2024 (forthcoming)
- ‘Crossroads of Memory': Lotty Rosenfeld’, review, Millennium Film Journal no. 79 ‘Re:presentation’, 2024 (forthcoming)
- ‘REDES’, essay, Unikornios Precarios, Atlas Menor book series, ed. Sebastian Lambert and Diego Morera, pub. Bartlebooth, 2023
- ‘Field Trips: Currents Review’, Millennium Film Journal no. 77 ‘Rifts’, 2023
- ‘REDES: bread and justice, peaches and bananas’, Thresholds Journal no.50 ‘Before/After’, 2022, MIT Press

Writing about me
- ‘External Pages: REDES: bread and justice, peaches and banana’, Cyberfeminism Index, edited by Mindy Seu, published by Inventory Press, 2023
- ‘Film Show 016: Prismatic Ground, 2022’, Joshua Minsoo Kim reviews ‘Vecino Vecino’ for Tone Glow, May 2022
- ‘Prismatic Ground Year Two: Documentary Waves’, by James Hansen, Filmmaker Magazine, May 2022
- OUR FRIEND, THE COMPUTER, Ana Meisel in conversation with Camila Galaz, CURSOR mag Issue 02 ‘Visions for the Internet’, 2021
- ‘REDES and External Pages’, Ana Meisel, Coeval Magazine, 2021
- ‘Imagining the Future’, Melania Parzonka & Scott Wagner, INTERZINE, 2021
- ‘The Art of Lockdown’, Dr Alex Burchmore, Art Monthly Australasia, 2020
- Outback Arthouse Studio Visit, 2020

Talks I’ve given
- Artist Talk, Seminario Arte y Memoria: Experiencias de historia deslocalizada, Universidad Católica, Santiago, Chile, 2023
- Artist Talk, Australia Council for the Arts, 2022
- The Future Doesn’t Know Later, Artist interview series, 2021
- Online Engagement – Learnings, Pitfalls and Triumphs, NETS Victoria curatorial intensive, 2020
- Longitudes, Latitudes and Legacies, Panel discussion for Channels Festival, NGV, 2019
-
Time, After Time: A Re-enactment Workshop, Workshop series for Channels Festival, 2019
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Questioning Existence with the Subjunctive (Spanish Demystified), Writing & Concepts Lecture Series, National Gallery of Victoria, 2019